Lilith Inspires Life in the Hell of Adam and Eve, by Lilith’s Lover
my girl builds Eden with half-cut melons and papayas
forget-me-nots and marigolds hanging loose from her neck
cactus for tongue
rose petals bleeding out of her vagina
still cradling the damaged pearl and planting it
in soil to watch it grow into olives
so she can take the olive and anoint our marriage
with its oil
my girl builds Eden without cages
vines tracing the skeleton of the house
rabbits burrowing beneath open windows with sheer
carnation curtains pointing to the only well among the shrubs
she won’t waste gold on wishes she can grow
and water with her own sweat.
she howls with the dogs at the moon
chill air, humid skin, heart between her teeth,
spare rib in her grip
and builds Eden without a God.
I See Yellow
when you undress me
only half way
(because you’re tired of me
and I know it
but it’s fine)
when I lay there
fresh out of
rotting yellow-wallpaper skin
olive-knuckles
saffron-curls
sunflower-breasts
when all I am
is a marred golden apple
in your sullied golden hands
when you peel the spotted banana
and throw out the parts
too ugly to handle
every time you tell me
I should just leave
and you light the door
on fire
I want to see yellow
brought to me on a plated tray
on the day you’d leave forever
not in the mirror
not when I take off my clothes
to count the times you said goodbye
without using your words
the gay immigrant girls
are diving into Kahlo’s papaya
peeling grapefruit in the mornings
rubbing sugar into their wounds instead of salt.
two girls
who don’t even hold hands at parks because
do not re-define maricóna in front of
fathers who only know how to give their
daughters something to cry about
still braid flowers into their hair before
folding dough in humid kitchens
wear tattoos as wedding rings
because commitment is stronger engraved
on the skin.
this amor sub rosa
has always been about the skirts
the smile on their mothers’ faces
when they are asked to spin
for the moment they are not the confused daughters
they are just daughters
and they only dance with church boys.
Scarlet Gomez is a writer and art history nerd studying in the City College of New York, right in the heart of Harlem. She is slowly learning to share herself, unapologetically, with the rest of the world, and has previously been published in literary journals such as Persephone’s Daughters, Breadcrumbs Magazine, and Promethean.
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